Full frame vs crop is 95% preference. Brand vs Brand, is 100% preference. The most obvious choice would be to get a newer Nikon body, and expand your lenses as it makes sense. A used D7100 for example would check all of the boxes for $250 - $500, and let you put some budget to a second
Yep. Full time professional. Fuji X series all the way. I hire GFX from time to time if the project feels like a big sensor and pixel count would be beneficial but 95% is all good at APS-C 24MP. Though funnily enough, I wouldn't go for any APS-C system or smaller, other than Fuji, for 2 reasons.
Thanks to the 1.6x crop factor of APS-C format EOS M bodies like the Canon EOS M50 Mark II, the 22mm focal length of this lens equates to 35.2mm in full-frame terms.It gives the same 63-degree viewing angle as using a 35mm lens on a full-frame camera, which is perfect for street photography. Mandando a real agora, bora ver na prática essa comparação entre uma câmera com sensor APS-C e uma câmera FULL FRAME e em como elas sem comportam em situaçõeHow do the focal lengths of the Canon wide zooms compare to my 10-24 See, if I get a new lens now (Canon 10-22) then I'm essentially forcing myself to stay in the crop sensor body market. However, if I decided I will go with a full frame body, then I cannot use the 10-22, and should get something like the 16-35, which would not cover my currenttelekinetic • 9 mo. ago. At 10 feet, with a 50mm f1.4 full frame, you've got 1' of depth of field. At 16 feet, with the same framing, APS-C (Canon) 50mm f1.4, you've got 1.6'-- it seems like you're double counting the crop factor in your math to get 2.56, you just have to multiply by crop factor once, same as with focal length.
Accoding to this diagram, the EF 50mm lens with the APS-C sensor, should produce a photo that looks like a EFS 80mm lens was used, It implies that the crop sensor causes an 1.6X optical zoom effect on the image projected by the "full circle" lens. In face, when I read reviews of the Canon EF 24-1
This is an image created by using the APS-C "only" Tamron SP 17-50mm f/2.8 Di II set at 17mm when mounted on a full frame Canon 5D mark II. The white rectangle is the part of the image that would have been captured by an APS-C camera. The APS-C sized area enlarged by (roughly) the same magnification:
If you compare an APS-C size sensor to a full-frame sensor with approximately the same total pixel count — like the 24 million pixel APS-C sensor on a Canon EOS Rebel model vs. the 26.2 million pixels on the full-frame EOS RP camera — the larger sensor will have physically larger pixels.
It's a great read and should help those stuck in the full-frame vs. APS-C debate get back down to earth. And here's something else to take away: in the end, you'll have to make a decision whether
Na realidade, em comparação com a imagem num sensor Full-Frame, a imagem será recortada. Uma vez que os sensores APS-C nas câmaras Canon são 1,6 vezes mais pequenos do que os sensores nas câmaras Full-Frame da Canon, o "fator de corte" é de 1,6x. Isto significa que fotografar com uma objetiva standard de 50 mm numa câmara APS-C
L1lyM.